On loan: Long Loan to The Hugh Lane (2019 - 2026) (Group B), Dublin City Gallery The Hugh Lane, Dublin, Ireland Snow scenes were a particular favourite among the Impressionists, and Monet painted several canvases that explore the way sunlight plays upon the snow, reflecting tones of red, pink, purple and blue at different times of day. He produced this scene of Lavacourt, a tiny hamlet on a bend in the Seine, when he was living in Vétheuil on the opposite side of the river.
The picture is dated 1881, but it may have been painted earlier, during the winter of 1879/80, which was unusually cold. The Seine froze over and Monet was captivated by the way the landscape was transformed by snow and ice, braving the freezing temperatures to set up his easel out of doors. The great bank of snow in the foreground is conveyed with broad sweeps of the brush, the whites overlain with blues. The cold tones suggest that this side of the river is in shadow, unlike the opposite side, where the pink tones suggests the warmth of pale sunlight.
Text extracted from the ‘Provenance’ section of the catalogue entry in Martin Davies, with additions and some revisions by Cecil Gould, ‘National Gallery Catalogues: French School: Early 19th Century, Impressionists, Post-Impressionists, etc.’, London 1970 and supplemented by Isobel Muir; for further information, see the full catalogue entry.
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.
