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Girolamo da Treviso, 'The Adoration of the Kings', about 1523-4

About the work

Overview

A great throng of retainers and animals accompany the Three Kings to pay homage to the infant Christ (Matthew 2: 2–12). Reclining among angels in the heavens, God the Father blesses all those below. The Virgin Mary holds the Christ Child, who blesses the eldest king prostrated before him and receives the gold he offers. The next king has taken off his crown and kneels in respect. The third, dark-skinned king takes from an attendant the large golden urn of myrrh he will present to Christ.

Fragments of a ruined classical building – perhaps a city gate or triumphal arch – are scattered in the foreground. Ruined classical architecture is often included in Renaissance paintings of the Nativity to symbolise the end of the old pagan world and the dawn of the new Christian era.

This painting by Girolamo da Treviso is based on a drawing Baldassare Peruzzi made in 1522, which in turn was derived from a tapestry design by Raphael’s workshop.

Key facts

Details

Full title
The Adoration of the Kings
Artist dates
about 1497/8 - 1544
Date made
about 1523-4
Medium and support
oil on wood
Dimensions
144.2 × 125.7 cm
Acquisition credit
Presented by Edmund Higginson, 1849
Inventory number
NG218
Location
Not on display
Collection
Main Collection
Previous owners
Frame
19th-century English Frame

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

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