Italian, Florentine, 'Portrait of a Lady', probably 1555-65
About the work
Overview
We do not know this young woman’s identity. She wears an elaborate black velvet gown, the bodice of which is decorated with embroidery in white and gold thread and rows of vertical slashes through which the white fabric of her chemise can be seen. She stands before a green silk curtain and a table covered in a red velvet cloth with gold braid at the corner. Her eyes do not seem to focus and she appears to be gesturing to something outside the picture. This painting may once have hung beside a portrait of the lady’s husband. The bare strip at the very top of the painting would originally have been covered by the frame.
This work was formerly thought to be by Bronzino (1503–1572) or his pupil Alessandro Allori (1535–1607), but neither attribution seems likely. The costume can be dated to the late 1550s or early 1560s and suggests that the sitter is probably a noblewoman.
Key facts
Details
- Full title
- Portrait of a Lady
- Artist
- Italian, Florentine
- Date made
- probably 1555-65
- Medium and support
- oil on canvas
- Dimensions
- 113 × 80 cm
- Acquisition credit
- Bought, 1860
- Inventory number
- NG650
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Cecil Gould, ‘National Gallery Catalogues: The Sixteenth Century Italian Schools’, London 1987; for further information, see the full catalogue entry.
Bibliography
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1962Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools (excluding the Venetian), London 1962
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1987Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools, London 1987
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.