Italian, Florentine, 'The Virgin and Child', probably about 1450-75
About the work
Overview
The Christ Child sits on the lap of his mother, the Virgin Mary, and looks directly at us. He holds a little bird in his left hand. In many religious paintings Christ is shown with a goldfinch, a symbol of the Passion (Christ’s torture and crucifixion). The bird here is missing the typical red plumage around the beak, but it may still symbolise the Passion – this would explain the sorrowful gaze with which the Virgin looks at her son.
While the Virgin wears several layers of veils and garments, Christ is wrapped in a simple white cloth, leaving most of his body exposed. The wall that could provide protection is crumbling, giving way to a distant landscape.
The meticulous attention to detail in the depiction of the wall recalls the work of Fra Diamante, one of the most gifted pupils of the Florentine painter Fra Filippo Lippi.
Key facts
Details
- Full title
- The Virgin and Child
- Artist
- Italian, Florentine
- Date made
- probably about 1450-75
- Medium and support
- egg tempera on wood
- Dimensions
- 49.5 × 33.5 cm
- Acquisition credit
- Bequeathed by Lord Carmichael; entered the Collection, 1956
- Inventory number
- NG6266
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Martin Davies, ‘National Gallery Catalogues: The Earlier Italian Schools’, London 1986; for further information, see the full catalogue entry.
Bibliography
-
1958The National Gallery, The National Gallery: July 1956 - June 1958, London 1958
-
1986Davies, Martin, National Gallery Catalogues: The Earlier Italian Schools, revised edn, London 1986
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
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