Probably by the Master of Liesborn, 'The Crucifixion with Saints', about 1465-90
About the work
Overview
This panel comes from the Benedictine abbey at Liesborn in Westphalia. The scene may have been inspired by the central panel of the altarpiece made by the same artist for the abbey’s high altar, fragments of which are also in the National Gallery’s collection.
Its horizontal shape suggests that it might have been made as a predella (the lowest part of an altarpiece). The crucified Christ is flanked on either side by saints. On the left are Saints Scholastica, Mary Magdalene and Anne, and finally, closest to Christ, the Virgin Mary. Saint Anne cradles a miniature Virgin and Christ Child in her arms in reference to her conception of Mary.
Saint John the Evangelist stands immediately to the right of Christ. He is accompanied by Saints Andrew, Benedict and Agnes. Saint Andrew carries the X-shaped cross upon which he was martyred, and Saint Agnes is accompanied by a lamb, her attribute (her name means ‘lamb’ in Latin).
Key facts
Details
- Full title
- The Crucifixion with Saints
- Artist
- Probably by the Master of Liesborn
- Artist dates
- active second half of the 15th century
- Date made
- about 1465-90
- Medium and support
- oil on wood
- Dimensions
- 38.4 × 118.4 cm
- Acquisition credit
- Bought, 1854
- Inventory number
- NG262
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Susan Foister, ‘National Gallery Catalogues: The German Paintings before 1800’, London 2024; for further information, see the full catalogue entry.
Bibliography
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1847E. Förster, 'Die Gemäldesammlung des Herrn Geh. Oberregierungsraths Krüger in Minden', Kunstblatt, XXVIII, 1847, pp. 21-3
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1848C.W.A. Krüger, Verzeichnis der Gemälde-Sammlung des Geheimen Regierungs-Rathes Krüger zu Minden, Minden 1848
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1934A. Stange, Deutsche Malerei der Gotik, 11 vols, Munich 1934
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1951R. Fritz, 'Der Katalog der Gemäldesammlung Krüger zu Minden', Westfalen, Hefte für Geschichte, Kunst und Volkskunde, XXIX/25, 1951, pp. 87-97
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1952P. Pieper, Westfälische Maler der Spätgotik 1440-1490 (exh. cat. Landesmuseum für Kunst und Kulturgeschichte Münster Westfalen, 20 June - 30 September 1952), Münster 1952
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1954P. Pieper, 'Westfälische Maler der Spätgotik 1440-1490. Ergänzungen zum Katalog', Westfalen, Hefte für Geschichte, Kunst und Volkskunde, XXXII, 1954, pp. 75-103
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1959Levey, Michael, National Gallery Catalogues: The German Schools, London 1959
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1966T. Rensing, 'Bemerkungen zum Meister von Liesborn', in Der Liesborner Altar: Die Bilder der Nationalgalerie in London und des Landesmuseums in Münster, Münster 1966, pp. 22-54
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1967A. Stange, Der deutschen Tafelbilder vor Dürer. Kritisches Verzeichnis, Munich 1967
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1974W. Koenig, 'Anmerkungen und Ergänzungen zum Katalog der Sammlung Krüger', in Studien zum Meister von Liesborn unter besonderer Berücksichtigung der Entstehungsgeschichte des Liesborner Hochaltars und der Sammlung Krüger, Quellen und Forschungen zur Geschichte des Kreises Beckum, Beckum 1974, vol. 6
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1978D. Robertson, Sir Charles Eastlake and the Victorian Art World, Princeton 1978
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
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2004A. Priever, 'Anmerkungen zum Schicksal des Hochaltars und des Heilig-Kreuz-Altars der ehemaligen Klosterkirche Liesborn', Wallraf-Richartz-Jahrbuch, LXV, 2004, pp. 301-14
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2024S. Foister, National Gallery Catalogues: The German Paintings before 1800, 2 vols, London 2024
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.