Circle of Master of Liesborn, 'Saints Gregory, Maurice and Augustine', about 1465-90
About the work
Overview
This panel once formed the left shutter of an altarpiece in the Benedictine abbey at Liesborn in north-west Germany. The right-hand shutter is also in the National Gallery’s collection.
This painting shows, from left to right, Saints Gregory, Maurice and Augustine. The gilded clasp that fastens Saint Gregory’s robes is decorated with the scene of the Annunciation (the moment the Archangel Gabriel told the Virgin Mary that she would conceive the son of God). Saint Maurice is dressed in armour: he was a Roman soldier. He led his legion to convert to Christianity, and they were all martyred for refusing to sacrifice to pagan gods. Maurice was often shown with Saint Exuperius, a member of the same legion, who features at the centre of the left-hand panel. The scholar Saint Augustine is on the right, holding a heart pierced by an arrow. This is a reference to his writings, in which he described how God had pierced his heart with the arrow of his love.
Key facts
Details
- Full title
- Saints Gregory, Maurice and Augustine
- Artist
- Circle of Master of Liesborn
- Artist dates
- active second half of the 15th century
- Part of the series
- Two Shutters from an Altarpiece
- Date made
- about 1465-90
- Medium and support
- oil, originally on wood, transferred to canvas
- Dimensions
- 120 × 67.9 cm
- Acquisition credit
- Bought, 1854
- Inventory number
- NG255
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Susan Foister, ‘National Gallery Catalogues: The German Paintings before 1800’, London 2024; for further information, see the full catalogue entry.
Bibliography
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1959Levey, Michael, National Gallery Catalogues: The German Schools, London 1959
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
-
2024S. Foister, National Gallery Catalogues: The German Paintings before 1800, 2 vols, London 2024
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.
Images
About the series: Two Shutters from an Altarpiece

Overview
These two panels once formed the shutters of an altarpiece in the Benedictine abbey in Liesborn, a town in the north-western German region of Westphalia. Placed on either side of the centrepiece, the shutters would protect and conceal it when closed.
The artist’s identity is unknown, but he has been named after the altarpiece that he made for the high altar of the same church. Several fragments of the high altarpiece are in the National Gallery’s collection.