Circle of the Master of Liesborn, 'Saint Margaret', late 15th century
About the work
Overview
This is one of two fragments in the National Gallery’s collection of a larger work that showed the Virgin Mary and Christ Child seated in a garden. It shows Saint Margaret, who was from the town of Antioch (in modern-day Turkey). She wears a headdress of pearls, as her name means ‘pearl’ in Greek and Latin.
According to her legend, Saint Margaret escaped from the stomach of a dragon which had swallowed her whole by making the sign of the cross. Here she is shown holding a gilded cross and using the monstrous creature – it bares its teeth at the right of the fragment – as a seat. She holds the animal by a golden chain, emphasising her victory over it. The inscription on her halo, which has been repainted, reads: ‘Sancta margarit’.
Although the panel is badly damaged, there is part of a lamb’s body behind Margaret. The lamb was the attribute of Saint Agnes; her name means ‘lamb’ in Latin.
Key facts
Details
- Full title
- Saint Margaret
- Artist
- Circle of the Master of Liesborn
- Artist dates
- active second half of the 15th century
- Part of the series
- Fragments from an Altarpiece of the Virgin and Saints
- Date made
- late 15th century
- Medium and support
- oil on wood
- Dimensions
- 80.7 × 47.9 cm
- Acquisition credit
- Bought, 1854
- Inventory number
- NG2153
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Susan Foister, ‘National Gallery Catalogues: The German Paintings before 1800’, London 2024; for further information, see the full catalogue entry.
Bibliography
-
1959Levey, Michael, National Gallery Catalogues: The German Schools, London 1959
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
-
2024S. Foister, National Gallery Catalogues: The German Paintings before 1800, 2 vols, London 2024
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.
Images
About the series: Fragments from an Altarpiece of the Virgin and Saints

Overview
These two panels showing Saints Dorothy and Margaret are fragments of a larger painting which probably showed the Virgin Mary and Christ Child seated in a garden surrounded by female saints. The other saints probably included Agnes and Catherine. The panels come from a chapel in Lippstadt in the region of Westphalia in western Germany.
There are several other panels in the National Gallery’s collection painted by the same anonymous master. He has been named after the altarpiece that he painted for the Benedictine abbey at Liesborn, fragments of which are also in the Gallery’s collection.