Highlights from the collection

Johannes Vermeer

The young woman at the keyboard holds our eye with a direct gaze. The empty chair suggests she is expecting someone and the large painting of a naked Cupid, the god of erotic love, on the wall behind her may be a signal that she is waiting for her lover. Scenes of music making were a popular genr...

Room 16

Bacchus and Ariadne

Titian

One of the most famous paintings in the National Gallery, Titian’s Bacchus and Ariadne illustrates a story told by the classical authors Ovid and Catullus. The Cretan princess Ariadne has been abandoned on the Greek island of Naxos by Theseus, whose ship sails away in the distance. Bacchus, god o...

Room 29

Bathers (Les Grandes Baigneuses)

Paul Cezanne

Around 200 of Cezanne’s works depict male and female nude bathers, either singly or in groups, in a landscape. This large painting is one of three pictures of female bathers that Cezanne worked on during the final decade of his life. They represent the culmination of his lifelong investigation of...

Not on display

Bathers at Asnières

Georges Seurat

This large picture was Seurat’s first major composition, painted when he had not yet turned 25. He intended it to be a grand statement with which he would make his mark at the official Salon in the spring of 1884, but it was rejected.Several men and boys relax on the banks of the Seine at Asnière...

Room 43

Bathers at La Grenouillère

Claude Monet

During the summer of 1869, Monet and Renoir painted together at La Grenouillère, a slightly raffish resort on the river Seine some 12 kilometres west of Paris. It had become a popular weekend retreat from the city during the 1860s.Monet made several oil sketches at the resort, including this pict...

Room 44

Doge Leonardo Loredan

Giovanni Bellini

Leonardo Loredan knows that he is being looked at, but he does not return our gaze. He is the doge, the ruler of the Venetian Republic; elected in 1501, he ruled until his death in 1521.He wears white silk damask robes woven with gold and silver metal thread, clothing reserved for the most splend...

Room 29

Equestrian Portrait of Charles I

Anthony van Dyck

A man sits on a muscular horse, towering above a servant who passes him a helmet to complete his suit of armour. A Latin inscription on the tablet hanging from a tree identifies him as ‘King of Great Britain’ – this is Charles I, surveying his kingdom. Anthony van Dyck painted several portraits o...

Room 31

Flowers in a Vase

Rachel Ruysch

Rachel Ruysch’s elegant bouquet carries a breath of spring and summer. Peonies, hawthorn, honeysuckle and columbine all bloom early in the year, but the burnt orange and deep green of the lilies, the seed pod straggling over the edge of the shelf, the ripe wheat and the dry, veined leaves turn th...

Not on display

Madame de Pompadour at her Tambour Frame

François-Hubert Drouais

Although the grandest of the many portraits of Madame de Pompadour, this is also the most naturalistic image of her, which avoids the rigid formality or mythological trappings of much court portraiture. The former mistress of Louis XV, Madame de Pompadour had become an international celebrity by...

Central Hall

Madame Moitessier

Jean-Auguste-Dominique Ingres

Wearing her finest clothes and jewellery, Madame Moitessier gazes majestically at us. She is the embodiment of luxury and style during the Second Empire, which saw the restoration of the French imperial throne and the extravagant display of wealth. Her distinctive pose is based upon a Roman wall...

Room 45

Messengers

Bridget Riley

Annenberg Court

Mr and Mrs Andrews

Thomas Gainsborough

This portrait of Mr Robert (1725–1806) and Mrs Frances Andrews (about 1732–1780) is the masterpiece of Gainsborough’s early career. It has been described as a ‘triple portrait’ – of Robert Andrews, his wife and his land.Behind Mr and Mrs Andrews is a wide view looking south over the valley of the...

Room 34

Samson and Delilah

Peter Paul Rubens

Peter Paul Rubens’s Samson and Delilah portrays a tragedy of love and betrayal. Delilah, Samson’s lover, has been bribed to discover the secret of Samson’s supernatural strength. Rubens shows the moment when Delilah tells an accomplice to cut his hair, leaving him powerless. Outside, soldiers wai...

Room 18

Seaport with the Embarkation of Saint Ursula

Claude

According to the legend, Saint Ursula, a Christian princess from Britain or Brittany, made a holy pilgrimage to Rome with 11,000 virgins. Dressed in yellow and holding a flag with a red cross, Ursula watches her companions embark on their return voyage. They carry bows and arrows, weapons that re...

Not on display

Self Portrait as Saint Catherine of Alexandria

Artemisia Gentileschi

Artemisia Gentileschi, the most celebrated female artist of the seventeenth century, appears in the guise of Saint Catherine of Alexandria, a Christian saint martyred in the early fourth century. She leans on a broken wheel studded with iron spikes, to which she was bound and tortured, and which...

Room 32

Self Portrait at the Age of 34

Rembrandt

This is one of dozens of self portraits by Rembrandt. We see the artist in confident pose – self-assured, dressed in expensive-looking fur and velvet, his hat laced with jewels. But, though he is a Dutchman living in the 1640s, Rembrandt is wearing the clothes of a gentleman of the 1520s and his...

Room 22

Self Portrait in a Straw Hat

Elisabeth Louise Vigée Le Brun

Self Portrait in a Straw Hat is a signed copy by the artist of a very popular self portrait that she painted in 1782 and which is now in the collection of the baronne Edmond de Rothschild. The pose is deliberately modelled on Rubens’s Portrait of Susanna Lunden (?) (also in the National Gallery’s...

Not on display

Summer's Day

Berthe Morisot

This painting was almost certainly exhibited with the title The Lake in the Bois de Boulogne at the Fifth Impressionist exhibition in 1880 together with another picture by Berthe Morisot, In the Bois de Boulogne. The two paintings show the same two women (possibly professional models) who wear id...

Not on display

Sunflowers

Vincent van Gogh

This is one of five versions of Sunflowers on display in museums and galleries across the world. Van Gogh made the paintings to decorate his house in Arles in readiness for a visit from his friend and fellow artist, Paul Gauguin.‘The sunflower is mine’, Van Gogh once declared, and it is clear tha...

Room 6

The Adoration of the Kings

Jan Gossaert (Jean Gossart)

This large altarpiece is crammed with peasants, animals, angels and richly dressed kings and courtiers, come to worship the infant Christ, who sits on his mother’s lap in a palatial but ruined building.Jean Gossart has signed the painting on the hat of Balthasar, the king on the left, and on the...

Room 15

The Ambassadors

Hans Holbein the Younger

Jean de Dinteville, the man on the left, is shown on his second diplomatic mission to England on behalf of Francis I, King of France. To the right is his close friend, Georges de Selve, Bishop of Lavaur. This portrait was painted at a time of religious upheaval in Europe. Although the pope had re...

Room 12

The Arnolfini Portrait

Jan van Eyck

This must be one of the most famous and intriguing paintings in the world. A richly dressed man and woman stand in a private room. They are probably Giovanni di Nicolao di Arnolfini, an Italian merchant working in Bruges, and his wife.Although the room is totally plausible – as if Jan van Eyck ha...

Room 15

The Baptism of Christ

Piero della Francesca

Piero was the first artist to write a treatise on perspective – that is, creating an illusion of three-dimensional space on a flat surface. Here, he has painted objects in proportion, so that they appear as we see them in real life. This emphasises the depth of the landscape, but also the harmony...

Not on display

The Battle of San Romano

Paolo Uccello

It’s hard to follow what’s going on in this large and busy painting, partly because it’s much darker now than when it was painted. This is one of three battle scenes by Uccello showing the Florentine victory at San Romano in 1432.The Florentine commander, Niccolò da Tolentino, rides a white charg...

Gallery D

The Entombment (or Christ being carried to his Tomb)

Michelangelo

This is one of perhaps only three surviving panel paintings by the great Florentine artist Michelangelo. It shows Christ’s body being carried to his tomb. It was probably made for a funerary chapel in the church of S. Agostino, Rome – commissioned in 1500 and left unfinished when Michelangelo ret...

Room 9

The Fighting Temeraire

Joseph Mallord William Turner

Turner’s painting shows the final journey of the Temeraire, as the ship is towed from Sheerness in Kent along the river Thames to Rotherhithe in south-east London, where it was to be scrapped. The veteran warship had played a distinguished role in the Battle of Trafalgar in 1805, but by 1838 was...

Room 34

The Hay Wain

John Constable

The view is of the millpond at Flatford on the River Stour. Flatford Mill was a watermill for grinding corn, operated by the Constable family for nearly a hundred years. It still survives and is about a mile from Constable’s birthplace at East Bergholt, Suffolk. The house on the left also survive...

Sunley Room

The Horse Fair

Rosa Bonheur

This is a painting of sheer animal power. Brilliant white light builds up the turbulence and excitement of the scene. Rosa Bonheur has made the convulsion of the muscles and the flying manes almost tangible, capturing the rearing, plunging animals and the strength and dexterity of their handlers...

Room 45

The Madonna of the Pinks ('La Madonna dei Garofani')

Raphael

In this painting, Raphael transforms the familiar subject of the Virgin and Child into something entirely new. The figures are no longer posed stiffly and formally as in paintings by earlier artists, but display all the tender emotions one might expect between a young mother and her child. The pa...

Not on display

The Stonemason's Yard

Canaletto

This intimate view of Venice, weatherbeaten and dilapidated, is one of Canaletto’s masterpieces. In the early morning sun, workmen chisel away at pieces of stone. Everyday life continues around them: a mother rushes to comfort her crying child, watched by a woman on the balcony above.This square...

Room 33

The Supper at Emmaus

Michelangelo Merisi da Caravaggio

On the third day after the Crucifixion two of Jesus’s disciples were walking to Emmaus when they met the resurrected Christ. They failed to recognise him, but that evening at supper he ‘... took bread, and blessed it, and brake and gave to them. And their eyes were opened, and they knew him; and...

Room 32

The Toilet of Venus ('The Rokeby Venus')

Diego Velázquez

Venus, the goddess of love, reclines languidly on her bed, the curve of her body echoed in the sweep of sumptuous satin fabric. The pearly tones of her smooth skin contrast with the rich colours and lively brushstrokes of the curtain and sheets.Venus‘ face is reflected in the mirror held up by he...

Room 30

The Virgin of the Rocks

Leonardo da Vinci

Leonardo’s mysterious painting shows the Virgin Mary with Saint John the Baptist, Christ’s cousin, and an angel. All kneel to adore the infant Christ, who in turn raises his hand to bless them. They are crowded in a grotto overhung with rocks and dense with vegetation.The painting was part of a l...

Room 9

The Wilton Diptych

English or French (?)

This small, portable diptych is one of a handful of English panel paintings to have survived from the Middle Ages. Made for Richard II, King of England from 1377 to 1399, in the last five years of his life, it combines religious and secular imagery to embody his personal conception of kingship.O...

Not on display

Venus and Mars

Sandro Botticelli

Venus, the goddess of love, looks over at her lover Mars. She is alert and dignified, while he – the god of war – is utterly lost in sleep. He doesn‘t even notice the chubby satyr (half child, half goat) blowing a conch shell in his ear.This picture was probably ordered to celebrate a marriage, a...

Gallery D

Whistlejacket

George Stubbs

One of the most important British paintings of the eighteenth century, Whistlejacket is probably the most well-known portrait of a horse. It is also widely acknowledged to be George Stubb’s masterpiece. The Arabian chestnut stallion had won a famous victory at York in 1759, but by 1762 had been r...

Room 34