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Peter Paul Rubens, 'The Birth of Venus', about 1632-3

About the work

Overview

This design for a silver basin depicts a number of episodes from classical myth. Venus, the goddess of love, steps out of the giant shell from which, according to Hesiod’s Theogony and the Homeric Hymns, she was born. The birth of Venus from the sea is a playful subject for a basin design: as the container was drained, the figure of the goddess would gradually emerge. She squeezes seawater out of her long hair as she is helped to the shore of Cyprus by her attendants, one of whom holds out a string of pearls.

The sea god Neptune and his wife, Salacia, goddess of the sea, recline in the border above the scene, watching putti play with swans and ride seahorses, and nymphs ride dolphins. At the base of the border, the lovers Cupid and Psyche embrace – a reference to Venus’ role as the goddess of love. Rubens made the design for Charles I, King of England, and the basin was cast by the Antwerp silversmith Theodore Rogiers.

Key facts

Details

Full title
The Birth of Venus
Artist dates
1577 - 1640
Date made
about 1632-3
Medium and support
black chalk and oil on wood
Dimensions
61 × 78 cm
Acquisition credit
Bought, 1885
Inventory number
NG1195
Location
Room 18
Collection
Main Collection
Frame
17th-century French Frame

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

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